Based on the Victor Hugos novel, it has a very moving storyline... a love story set in the plot of the French Revolution with just the right combination of humour, pathos, love and loyalty.
The main storyline revolves around the conflict between two men - Jean Valjean, at heart, a good man, but a small crime and he is labelled a criminal for life, and Javert, a police officer who has unbending principles of justice and is hell bent on capturing his convict no 24601.
Their lives and those befriended and loved by Jean Valjean become inextricably entwined - the wretched Fantine, whose illegitimate daughter, Cosette, is cared for by the thieving, lying Thenardiers whose own daughter, Eponine, is destined to fall in love with idealistic student, Marius, who, in turn, is captivated by Cosette.
All this has been fantastically moulded together with breathtaking songs and a very imaginative and clever revolving stage... the barricade filling the stage, finally turning a full 360 degrees to reveal the terrible and shocking aftermath of the confrontation was amazing.
At this point, when the fighting has just stopped and all the men lie dead on the barricades there is a long silence – very effective and literally sends chills up your spine.
The Thenardiers were marvellously humorous and at the same time were genuinely dislikeable ...they played their roles so well.
This is the ONLY musical I have seen in which there is no simple dialogue...everything has to be sung!!!
The play begins with a work song – 'Look down' followed by 'On Parole', both of which highlight the plight of the people called the les Miserables in France at that time.
The actor playing Jean Valjean had the most amazing voice...so apt for the role. His delivery was excellent leaving one totally impressed. His rendition of 'Come to me' at the time of Fantine's death and 'Bring Him Home' were really beautiful...
Generally the singing was breathtaking …whether it was the patriotic fervour of 'Do You Hear the People Sing?' Or Fantine’s 'I Dreamed A Dream' or the Little Cosette’s 'Castle on a Cloud' or the humorous 'Master of the House' by Thenardier and Madame Thenardier...